In a movie theater, viewers give themselves over to linear time almost without thinking. In a gallery, that same patience for moving images tends to dissolve. My work begins in this gap, using video and spatial installation to translate cinematic temporality into something that can be inhabited, walked through, and returned to.

My practice developed from photography into moving image and installation. Early photographic works relied on set design and post-production as ways of extending authorship beyond the shutter, but the limits of the static image gradually pushed me toward time-based media. From archival editing to self-produced works such as BARK, I became increasingly interested in how duration, repetition, sound, and spatial arrangement shape the viewer’s perception.

This inquiry culminated in Moon Shaped Pool, a three-part video installation that reconstructs a time-based audiovisual experience as a spatial field. Rather than treating art as a fixed vehicle for meaning, I understand making as a process of returning to subjectivity. At this moment, video and space are the languages through which I can most directly explore that process.